The Slaves Gamble by Gene Allen Smith

The Slaves' Gamble by Gene Allen Smith
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Why would slaves fight for the United States, a nation that kept them in bondage, during the War of 1812? Why did free blacks join with the British or with the Spanish, or with Native American communities during the conflict? These questions form the basis for Gene Allen Smith’s new book, The Slaves’ Gamble: Choosing Sides in the War of 1812. In this gripping story, Smith, a history professor at Texas Christian University, recreates the growing conflicts between the fledgling United States, Great Britain, Spain, and various Native American groups, and shows how each group “tried to mobilize the free black and slave populations in the hopes of defeating the other.” When the War of 1812 began, free blacks and slaves consciously chose the side they would support, and those tenuous choices dramatically impacted their future freedom and opportunity as well as the future of the United States.

This book looks at African American combatants during the War of 1812 as a way to understand the conflict as well as the evolution of racial relations during the early nineteenth century. Black participants—slaves and freemen both—had to choose sides and these choices ultimately defined their individual and collective identities. Canadian slaves escaped south into Michigan during the first decade of the nineteenth century and joined the militia in Detroit and later surrendered with General William Hull in August 1812; this contradicts common perceptions that the Underground Railroad always ran north to freedom in Canada. In fact, for a very few years during the late eighteenth and early nineteenth centuries the route to freedom proceeded south from Canada to the free territories of the Old Northwest. Once the war ended, the route turned north to freedom in Canada.

Along the Chesapeake Bay during 1813 and 1814 many slaves joined the British Colonial Marines and later marched with Redcoats on Washington, D.C. and Baltimore, while others chose to remain with their masters. Maryland slave Charles Ball consciously declared himself a freeman and joined Joshua Barney’s flotilla in the Chesapeake. During the British 1814 Chesapeake campaign Ball fought for the Americans at Bladensburg and in the defense of Baltimore. During the fall of 1814 in New York City, Philadelphia, and Baltimore, slaves and free blacks joined alongside white American workers to construct defenses for those cities.
Later in 1814 along the coast of Georgia and South Carolina slaves had to choose sides. Cumberland Island slave Ned Simmons immediately discarded his shackles to join the British army, yet he was never transferred off the island. When peace came he became victim of tense Anglo-American negotiations. Stripped of his British uniform, Simmons was re-enslaved, and did not secure his freedom until 1863; the centenarian Simmons died only a few months after being liberated by Union troops.

Along the Gulf of Mexico during the War of 1812 slaves found multiple choices—some joined with the Spanish, some with Native American tribes and others with the British. During the weeks before the climactic January 1815 Battle of New Orleans, both the British and General Andrew Jackson competed for slaves and free blacks. Two regiments of free men of color volunteered to defend the city, and then Jackson promised freedom to slaves who would labor on the American line. Jackson ultimately secured their assistance with promises of equality and freedom that never fully appeared.

During the years prior to the War of 1812 African Americans had gained increased political, economic, and civic rights; many of these concessions had been won by black participation during the War for Independence and their support for a new political system based on the primacy of the United States. Slaves saw this jostling for their loyalties as “an avenue to freedom,” and consequently joined armies or communities of Native Americans or mulattoes on the fringes of society.

The War of 1812 did not create opportunities for all slaves, as for the most part slaves fled or joined militias only when hospitable troops were in the area. Those who remained in the United States generally remained in bondage, while those who took the chance to flee to British lines were mostly evacuated from the United States. The latter group found freedom in British colonies such as Bermuda, Canada, or Trinidad, where they and many of their descendants remained impoverished economically. This gripping tale of the evolution of race relations in early America reveals how these people won their freedom.

By the time the War of 1812 ended the United States had reaffirmed its political, economic, and cultural freedom, and white Americans had finally realized that armed blacks posed serious threats to the existing status quo, and that threat would have to be eliminated. The optimism that had flowed from the Revolutionary period into the War of 1812 era lost its influence on American southerners who still maintained their human property, but thereafter had to worry about holding onto it. In the end, the free blacks and slaves who had sided with the Americans, like those who had joined with the British, the Spanish, or with Native Americans, wanted only one thing—their land of the FREE. Instead the War of 1812 confirmed the security of the United States, and provided the last chance for blacks as a group to secure their freedom through force of arms until the American Civil War finally ended slavery once and for all.

The Slaves' Gamble is written by:
Gene Allen Smith
Professor
Dept of History
Texas Christian University

Civil War Sketch Book

Here at US History we're reviewing the new book by Harry L. Katz and Vincent Virga,  "Civil War Sketch Book - Drawings from the Battlefront".     It's a remarkable collections of drawings from the Civil War with extensive historical narrative.   Soon available.   Publisher is W.W. Norton and Company.   The lowest price we've seen is via Amazon.com at about $33, available via pre-order.

May 2012's National Geographic will be featuring some of this extensive Civil War collection, the largest organized sketch book collection to date.

American History through American Art at the Metropolitan Museum of Art

Image Credit:  Metropolitan Museum of Art

If you're in the New York Area don't miss the new wing at the Metropolitan Museum of Art featuring American history through art.  

Following are excerpts from the Exhibit Introduction:

The Metropolitan Museum's collection of American art, one of the finest and most comprehensive in the world, returned to view in expanded, reconceived, and dramatic new galleries on January 16, 2012, when the Museum inaugurated the New American Wing Galleries for Paintings, Sculpture, and Decorative Arts. The new installation provides visitors with a rich and captivating experience of the history of American art from the eighteenth through the early twentieth century. The suite of elegant new galleries encompasses 30,000 square feet for the display of the Museum's superb collection.

The Museum's holdings are particularly rich in the works of the great masters, including John Singleton Copley (Daniel Crommelin Verplanck), Gilbert Stuart (George Washington), Thomas Cole (The Oxbow), Church (The Heart of the Andes), Winslow Homer (Prisoners from the Front), Thomas Eakins (Max Schmitt in a Single Scull), and John Singer Sargent (Madame X).

The centerpiece of the new installation is one of the best-known works in all of American art, Emanuel Gottlieb Leutze's 1851 painting Washington Crossing the Delaware.  This double-sized gallery showcases Leutze's iconic work alongside two other masterpieces—Church's Heart of the Andes and Albert Bierstadt's Rocky Mountains.

The Museum's encyclopedic collection offers visitors the broad sweep of American history as told through great works of art.  [US History themes in the art collection include]  Colonial Portraiture, the American Revolution, the Young Republic, the Civil War Era, Art in the Folk Tradition, the Hudson River School, the West, the Cosmopolitan Spirit, and American Impressionism.

Interspersed among the pictures is the American Wing's sculpture collection.   Artists represented include Erastus Dow Palmer, John Quincy Adams Ward, Augustus Saint-Gaudens, Daniel Chester French, Frederic Remington, and Frederick William MacMonnies.

The new suite of galleries also feature four rooms dedicated to the display of American decorative arts, principally treasures of colonial furniture and silver. Selected highlights of the Museum's extraordinary collection of early American silver include works by John Hull and Robert Sanderson, Myer Myers, and Paul Revere. The furniture gallery has masterpieces of late colonial case furniture by John Townsend of Newport and Thomas Affleck of Philadelphia, complemented by imposing architectural elements. In addition, the galleries include the grand pre-revolutionary entrance hall of the Van Rensselaer Manor House, Albany, New York.

The opening of the New American Wing Galleries for Paintings, Sculpture, and Decorative Arts in January 2012 represents the third and final phase of a major, multi-part renovation project. Part 1 opened in January 2007 with galleries dedicated to the classical arts of America, 1810–1845. Part 2 opened in May 2009 with the renovation of The Charles Engelhard Court and the Period Rooms. Now that Part 3 is completed, nearly all of the American Wing's seventeen thousand works are on view.

Visit the Metropolitan's website for more pictures and information about this spectacular new exhibit of American Art and US History.  Metropolitan Museum of Art

History Channel Presents "America - The Story of Us"

The History Channel debuts a new series that will chronicle some prehistory and the entire history of the USA , spanning about 400 years. The first two episodes will be about the English settlements in "the new world".

Rebels In 1607, a small group of English adventurers lands in Jamestown. Thirteen years later the Pilgrims settle in Plymouth, New England. These men and women are all driven by the promise of a new life, and all face huge dangers from disease, starvation and conflict...

Obviously a challenge to a complete treatment of the history of the Americas is the fact that *most* of the history of this continent happened before records were kept, and many would argue historians have always given short shrift to the rich native American cultures, economies, and tribal conflicts that defined American history for thousands of years. However it's also true that this history was in many ways "simpler" as the existing evidence suggests that native populations were small and cultures were fairly stable for much of the time preceding the arrival of Europeans.

In any case, "America - The History of Us" promises new insight into the rise of what has arguably been the most successful economic and cultural experiment in all of history ... the United States of America.